Thanks to the ability of digital audio to be perfectly copied, transmitted, and carried in small packages, we may be surrounded by more music and human-made audio programming than at any other time in ...

This column is devoted to the basics of audio compression, a powerful signal-processing technique that is poorly understood by almost all of us. Once again, I hope you find it useful, or that you can ...

Audio-Technica is offering a series of resources that help users adjust to the circumstances brought about by the health crisis, including blog posts and tutorials educating on best practices and ...

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. I thought I was done with this series about audio basics. However, reader Eric Smith wrote in and ...

In Signal Chain Basics #34, we covered some of today's commonly used digital audio interfaces, from chip-to-chip I 2 S™ (Inter IC Sound) to system-to-system interfaces such as S/PDIF and AES/EBU.

In Part 1 of this article, we discussed some of the basic system considerations associated with using audio data converters. We focused on the control method and the basic audio performance metrics ...

Bit rate, bit depth, sample rate... what's the difference? Part one of a series on digital audio gives you the scoop on the basics of digital audio in its most common, uncompressed form.