Soundtrack labels continued to thrive in 2021, discovering old film scores worth preserving and expanding classics to meet the seemingly insatiable thirst for music written for screens large and small ...

Performances in N.Y.C. Advertisement Supported by Classics by Bach, Mozart and Brahms and new works by Andy Akiho, Angélica Negrón and Tyshawn Sorey were among our favorite recordings this year.

The most notable classical-music story here in 2021 merited national attention, thanks to the debut of the San Diego Symphony’s new $85 million year-round outdoor concert venue, The Rady Shell at ...

An offbeat contemporary highlight was Liederkreis II by Judith Berkson, released by Notice Recordings. Berkson’s unsettling deconstructed versions of songs by Schubert and Schumann are ear-tickling, ...

In what most would agree was, at best, a bumpy and unpredictable year, San Diego’s classical-music scene not only prevailed but flourished. In fact, earlier this month Musical America Worldwide — the ...

Full Mahler: Robin Ticciati conducting the LPO on the Glyndebourne stage in the most theatrical of concerts For the first time in seven years, hospital visiting kept me from my favourite festival in ...

One of the most magnificent achievements in music, Handel’s Messiah is an annual holiday season must-go for music lovers everywhere. Hear it today from 2-4pm on CapRadio Music. Roderick Cox—one of ...

Baltimore Symphony Orchestra assistant conductor Jonathan Taylor Rush discusses his top classical moments of the year, including the aria "Men Don't Break" from Terence Blanchard's opera "Fire Shut Up ...

As Neil Young famously sang a couple generations ago, "Rock 'n' roll can never die." With that in mind, we present the Top 10 2021 Albums From Classic Rock's Next Generation below. Rock music, like ...

Following its acquisition of the classical music service Primephonic earlier this year, Apple's work on a new music app dedicated to classical music is ongoing, a recent job listing indicates. Earlier ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Our chief classical music critic bids farewell with some thoughts about what should be preserved in the field he’s covered for ...