Iranian filmmaker Pegah Ahangarani discusses making a film about Iranian freedom fighters in exile, finishing it as bombs fell and winning Cannes' top documentary prize.
With protests raging and artists detained, Iranian filmmakers at the Berlinale say global festivals are one of their few remaining outlets to tell the truth — and to be heard. By Tina Ahmadi Krol As ...
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As War Rages, Iranian Cinema Takes on Fresh Urgency: ‘We Have to Process What We’ve Been Through’
In Rome on the evening of April 4, as Iran was being pounded by U.S. and Israeli missiles, a large crowd celebrated the ...
For women in Iran, life changed dramatically after the 1979 Iranian Revolution. The new Islamic Republic of Iran enforced compulsory veiling, legalised polygamy, severely restricted women’s rights to ...
By Miranda Murray CANNES, France, May 20 (Reuters) - For Iranian filmmaker Pegah Ahangarani, making her documentary ...
Asghar Farhadi, director of the first Iranian film to win the Oscar for best foreign language movie, on Friday described as ...
Mohammad Rasoulof’s The Seed of the Sacred Fig captures Iran’s 2022 uprising through one loyalist family’s collapse. A vital ...
The Iranian Independent Filmmakers Association (IIFMA) is hailing new Oscar rules pertaining to the International Feature Film Category ...
The feature film debut from Iranian-French director Mahsa Karampour about her and her brother, a former member of indie rock ...
Oscar-winning Iranian director Asghar Farhadi’s first feature in five years received a warm welcome in Cannes tonight as an ...
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