It is 12.02 am, on Tuesday morning. I am scrolling through my phone, and bump into Morio Mbwakni, Mbogi Genje's latest Dancehall/Rap song. My rudimentary sheng tells me the song is about a 'fake' man.
With netizens wreaking havoc following a post on Trace Twitter Space dubbed Exit Gengetone, enter Amapiano, the global music platform has been forced to apologise for the negative perception the post ...
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