ANNANDALE-ON-HUDSON, N.Y. — The piccolo understood its assignment, blasting out clear in moments of populist ardor during this soaring, stately opera that is part romance, part Czech national epic.
Except for the Met’s problematic campaign to promote 21st-century opera, the repertoire presented by U.S. companies has lately contracted to the most familiar works, especially those by Mozart, Verdi ...
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