Premiering at Cannes Film Festival earlier this year, Guy Maddin, Evan Johnson, and Galen Johnson expanded their scale and ...

Coralie Fargeat’s Revenge (2017) thrilled audiences with its never-ending finale chase sequence through hallways lubricated in Shining-level quantities of blood. The French filmmaker’s follow-up, The ...

One of the pioneers of contemporary slow cinema, Lisandro Alonso made a name for himself on the festival circuit with his ...

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by George W. Myers to discuss Annie ...

After exploring World War II with last year's more experimental documentary Occupied City, Steve McQueen returns to the ...

Premiering at Berlinale before his Oscar win for Christopher Nolan's Oppenheimer but now arriving many months after, Cillian ...

Huang Xi’s Daughter’s Daughter is, as the title suggests, a generational drama, but one that encompasses four generations of ...

The “old world” is a wasteland. People still live there, but not for very long. Those in the “new world” live hundreds of ...

The level of enjoyment audience members will have with Andrew DeYoung’s Friendship is tied directly to their tolerance for ...

One week before Megalopolis would seem the most impossible time to consider another Francis Ford Coppola movie, but perhaps that is the exact dividing line between those who create and those who ...

The twisty political thriller Conclave wastes little time getting right into it: the Pope is dead, and after a three-week ...

Released 75 years ago this year, Carol Reed’s towering masterwork of film noir, The Third Man, has entered generation upon generation. Now, in celebration of its landmark anniversary, a new book by ...