Max Richter had one guiding principle in his score for Hamnet. “I wanted to work mostly with women’s voices,” he The post How ...
Why do some melodies feel instantly right, balanced, memorable and satisfying, even if you have never heard them before? New research from the University of Waterloo suggests that more than creativity ...
A late-career solo exhibition highlighting seven decades of abstract painting by Ray Rogers, opening March 5 at ...
The stars have aligned for Rachel Scott this season. On top of debuting her first full-fledged collection as creative director of Proenza Schouler last week, the Jamaican-born designer secured her ...
"Dark Water," which premieres March 6 at the Charleston Gaillard Center, is from Complexions Contemporary Ballet and is ...
The company’s first performance of choreographer Juel D. Lane’s “Touch & Agree” joins two other works this weekend at the Harris Theater.
“Our goal was to build a clear mathematical bridge between abstract algebra and the experience of listening to music,” said study co-author Olga Ibragimova. “When we think of melodies as shapes we can ...
Geneviève Dulude-De Celles’ sophomore feature 'Nina Roza' calls into question the modern art industry’s predatory exploits.
South Pacific has never quite settled. Revived, revised and reconsidered across decades on Broadway, it has resisted the comfort of nostalgia. The musical endures not as a museum piece but as a work ...
Why do some melodies feel instantly right, balanced, memorable and satisfying, even if you have never heard them before? New research from the ...
Nature writer Jim Crumley’s new book quietly urges us to lean into our instinct for wonder, writes Katharine Hay ...
Sam Rockwell stars in Gore Verbinski’s madcap sci-fi comedy, and the YBA Goat is back with a new exhibition at the Tate Modern ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results