It’s Robert Pattinson's world and we’re just living in it. In this case, it’s Mickey’s world, an ice planet called Niflheim. Let’s backtrack a bit. The sci-fi comedy that is Mickey 17 ...

“Mickey 17,” a dystopian sci-fi comedy starring a dozen Robert Pattinsons, was No. 1 at the domestic box office with $19.1 million from 3,807 theaters. But the Warner Bros. film cost $118 ...

Link to 100 Best Movies of 1975, Ranked by Tomatometer What to Watch: In Theaters and On Streaming. Link to What to Watch: In Theaters and On Streaming. Disney’s Snow White First Reviews: Rachel ...

It’s a satire, a slapstick comedy, and a sci-fi epic. It also belongs to one of the rarest and strangest subgenres of film: doppelgänger movies. Robert Pattinson plays Mickey, who signs himself ...

Toni Collette with Mark Ruffalo in Mickey 17.Credit: Clint Eastwood famously does one take, sometimes two; cast and crew are often free to go home in the middle of the afternoon. His track record ...

By Pamela McClintock Senior Film Writer Bong Joon Ho’s sci-fi space epic Mickey 17 has finally landed at the box office, where it opened to a sluggish $19.1 million after failing to wow audiences.

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Spoiler alert! We're discussing important plot points and the ending of “Mickey 17” (in theaters now) so beware if you haven’t seen it yet. Robert Pattinson’s underdog title character in ...

“Mickey 17” is as dark as its predecessor, but it’s also practically a slapstick comedy. Current world events give it a definite horror element, and somewhere in the middle of all this there’s even a ...

Mickey 17 stars Pattinson as an "expendable," someone who's sent into hostile environments to die, only to be repeatedly brought back as a clone and die again. One could argue the original "Mickey ...

The box office is welcoming back Robert Pattinson — a lot of him. Pattinson stars in “Mickey 17,” an R-rated sci-fi movie from “Parasite” director Bong Joon Ho, where he plays multiple ...

Now comes Bong's new movie, Mickey 17, an outlandish, otherworldly farce that also paints in broadly satirical strokes. The movie, adapted from a novel by Edward Ashton, begins in the year 2054 ...