Purpose-built MCP connector combines Generative AI (GenAI) and Retrieval-Augmented Generation (RAG), delivering domain-specific coding support to maximize value from OpenEdge data and applications ...

If you want to see how a video game is made, you don’t have too many options. You could visit a studio and watch the mundane magic happen as developers type out lines of code or model characters on ...

Anthropic evaluated the model’s programming capabilities using a benchmark called SWE-bench Verified. Sonnet 4.5 set a new industry record with a 82% score. The next two highest scores were also ...

Upon entering the Agnes Gund Garden Lobby of the Museum of Modern Art, an installation appears in view, showcasing a computer scribbling poetry. Words on the screen unfold as a cursor blinks, waiting ...

We worked with AI (ChatGPT and Claude mostly) to spec an AI server to meet research grade standards for a two person lab. Our goal is to do AI research such as tuning LLMs, implementing LoRA/RAG ...

Adds more Anthropic into the mix as Redmond hedges its bets Microsoft is jumping on the vibe coding bandwagon with "vibe working," its name for adding AI agents to the online Office suite to help you ...

Excel is the world’s most versatile data modeling tool—powering everything from household budgets to Fortune 500 profit and loss statements (P&Ls). Yet, the full power of Excel is available only to ...

The landscape of coding assistance is evolving, and GitHub Copilot is at the forefront of this transformation with the introduction of Claude Sonnet 4.5. This advanced model from Anthropic promises ...

Some call it “vibe-coding” because it encourages an AI coding assistant to do the grunt work as human software developers work through big ideas. Others dislike that term. But there’s no question that ...

Thanks to Agent Mode in Excel and Docs, all you have to do is describe the task at hand, and you will have a well-formatted and aptly edited document at your disposal.

And it’s the world David Secter captured in 1964 when he directed this fragile, fearless queer coming-of-age drama, which became the first English-language Canadian entry at the Cannes Film Festival.