Review: Red Giant PluralEyes 4 - ProVideo Coalition
Feb 18, 2016 · What looked to be a bit of clip chaos in the top unsynced image makes perfect sense once you see it completed. PE 4 identified the three different cameras, three different talking heads and moved the media accordingly.
ProVideo Coalition - Official Site
ProVideo Coalition is a resource where pro video creators, post production editors and other like minded individuals go to for tools, tips, and techniques
TS/TRS/TRRS/TRRRS: Combating the misconnection epidemic
Aug 30, 2015 · There are at least four different varieties of 3.5 mm plugs and jacks, each with its own purpose and application. In the last 60 days, several friends have had severe problems by not understanding the differences and innocently plugged the inappropriate plug into the jack on their recording device, which caused them severe problems.
About Us - ProVideo Coalition
ProVideo Coalition brings together the film industry’s best writers, bloggers and video experts under one URL. Each writer / filmmaker / contributor writes based on their personal knowledge and experience. PVC has become the leading resource for video professionals working in major studios and post houses, independent filmmakers, educators, students and storytelling …
Saber: a new FREE After Effects plug-in from Video Copilot
Mar 5, 2016 · Saber is a new FREE After Effects plug-in from Andrew Kramer and friends at Video Copilot. After a few hiccups, the free filter is now available, vastly improving on AE’s ancient built-in Beam effect. VCP Saber can be used to create energy beams, lightsabers, lasers, portals, neon lights, electric, haze, etc. It features: Create High quality energy & lights beams
Review: Blackmagic UltraStudio Recorder 3G helps alleviate type 3 ...
Aug 27, 2020 · This is my review of the new US$115 UltraStudio 3G Recorder interface, which supersedes the prior UltraStudio Recorder, which is not 3G. Blackmagic lent it to me for this review and I already returned it.
RED V-Raptor 8K VV Hands-on Review & Test Shoots - ProVideo …
Oct 10, 2022 · So it looks like on paper I’m pretty evenly split. I think once again Canon shows us that it’s a fantastic solo shooter/doc cam with Cinema capabilities, and the RED is potentially more Cinema-focused by going for the XL version (we talk about that towards the end) with the option of using the OG version for those smaller shoots or solo/doc stuff.
Using EXRs and DWA in After Effects - ProVideo Coalition
Sep 29, 2021 · Codecs aren’t the most exciting thing to write about, but a recent update to After Effects included a tiny note that caught my interest. The DWA compression option for EXRs now includes a quality setting.
“Unmult” with and without special plug-ins - ProVideo Coalition
Jun 27, 2014 · As noted, info on alpha channels was collected in a recent post, Alpha channels: premultiplied vs straight, but there are other more comprehensive and coherent resources available. Mark Christiansen has a good succinct advice and discussion of alpha channels in his book Adobe After Effects CC Visual Effects and Compositing Studio Techniques.An excerpt of …
Understanding 24-bit vs 16-bit audio production & distribution
Mar 30, 2015 · In prior articles, I have clarified how vital it is to record and edit 48 kHz audio for today’s video productions. However, so far, I have barely touched the differences between 24-bit versus 16-bit audio production and distribution, for both audio/video and audio only programs.